Choreographer, Performer
Performances
fxtrouble is only that small friendship group. Like an individual does, the collective seeks to communicate with others, go into exchange, facilitate space and discussion for and with others, be part of a network of learning and questioning, creating and sharing artistic work. Questions about co-authorship, the role of the audience, experiential knowledge production are crucial to our collective way of working. Modes of exposure, communication, presence. We create moments for visibility and establish temporary communities in which the rules are negotiated.
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Past Peformances:
Cracking Circles, Works at Work Festival - Group Works, Copenhagen
Lecture Performance in the frame of Who's the party at, Sister? Acts of Visibility, Tanzkongress Hanover
Cross Pollination, ausland
∞, Dock11
Let’s do it another way around, Plateau Gallery
Let’s do it the other way around, SoMa Gallery
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Think of words like any physical movement, or body. They have a shape, rhythm, surface, sound, sensation. Start Writing with the Focus on these Qualities and do not care baout the meaning. Use your Proprioception to approach your thoughts. Like in imprivising with movement (the body) wait for the words to come to you. One word triggers another word. Leave time for words to come in one after the other. Do not speed up.
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surrender to what´s happening in the space
join somebody else - create harmony
get very loud
let go of creating meaning
be specific
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communicate with an extra terrastrial force
listen to the thoughts of other people in the room
take breaks, take a look at what is hapenning
write in a clear genre
use the whole space
communicate non-verbally
dance your emotions
read like you are thinking aloud
mess with your habits
read in relaxation
read to someone
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follow the leader
make every small event a huge one
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never stop
think of somebody else
think of many others
think of the moving body
think about yourself
use a term you learned recently
try to avoid repition
make up a story
create drama
play with times
do more
react on reality
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don’t be present
stay with one thing till the end
be boring
move the whole body at once
keep the attention on the one point in the space through the whole dance
write as if it is your last text/last breath
write from the perspective of a frog
repeat the text you have just heard
shout it!
whisper it!
read it to the chosen object in the space and only to this object
read the text in gibberish
do one thing
accept what comes easily
do whenever you need to do
dance using only your habits
do only the most obvious things
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Improve your Moving
Run in Circles in your mind
perform mashed potatoes at its best
imitate a cheese if you please
do it again
come back to common goods
think of yesterday
the state of your thought is liquid
fake
enforce existing laws
repeat what you know and do not own
work wiith unfulfilled desires
see what you don’t know
More thoughts & scores
We are attending each other (and others, maybe), entertaining each other, moving in “purposeless motion”, playing with mediums hierarchies, composing instantly, blurring authorship, claiming space with the unfinished, intervening the space with intimacy, opening up to vulnerability, sourcing each other, serving each other, manipulating, implying, enticing, celebrating randomness, connecting and disconnecting.
I think a lot about how the audience can be more involved, how we can let them choose their positions and change their roles (as we do). Something about the dock11 performance kept them very passive and still and us very much in the center. Maybe we want to shift that? Also physically, maybe we shouldn’t be in the center.